Last night I posted about Gaze Upon Jesus. I was most excited to read an advanced copy of this book because I could not wait to read Stephanie Landsem's latest writing.
After reading Walk in Her Sandals, I went on to read her Living Water series. I have noticed that having read her writing has had a long-lasting impact on my interactions with scripture. The additional depth that provides an understanding of what the overall historical context was like and a plausible backstory sticks with me, and I recall possibilities from her imagination when the excerpts that inspired her writing come up as readings at Mass or through my personal Bible study.
I also believe in the power of mentors when learning something new. Approaching Scripture through a lectio divina lens is something relatively new for me. I have a lot to learn, and reading Stephanie Landsem's writing has served as an extensive glimpse into how someone can deeply ponder Scripture and imagine the possibilities and through the process be transformed by better understanding the narrative of God's love in our lives.
Because I admire her work so much, I am happy to share a Q&A with Stephanie Landsem.
Q: Considering point of view and perspective is something I love as a reader. Each chapter in this book, part of the building anticipation was to see how you would enter into the story, the lens through which you would capture the scenes. I appreciate the blend of people present in the Bible developed by your imagination alongside people fully from your imagination but authentic and plausible for the time period. What would you like to share about your process as an author or your author's craft related to perspective?
A: For both Gaze Upon Jesus and Walk In Her Sandals—as well as in the Living Water series—I really try to represent women from as many walks of life as I can. In Walk In Her Sandals, my characters are from all age groups, from Veronica, young and newly married, to the widowed Zilpah. In Gaze Upon Jesus, I wanted to challenge myself and the reader with an even more diverse perspective. With Anna the Prophetess, we see the wisdom brought by age and loss, and from Lila, we get the perspective of an orphan, handicapped and alone. Then we have Adrina, who looks upon the child Jesus with the eyes of a foreigner. My hope is to show that Jesus, even as a child, came for all of us, no matter our age, status, or religion.
Q: What was it like to write from Mary's perspective as opposed to other real people from the Bible or those that were completely from your imagination?
A: To write a story from Mary’s perspective was daunting, to say the least. Mary was, of course, a real person, and imposing my own ideas of her personality seemed presumptuous. Not to mention portraying the most important event to happen to a woman in human history, the Annunciation! So I thought and prayed a great deal, then I asked myself what it would be like to be a young woman in first century Nazareth and how Mary might feel about her family and her betrothal to Joseph. Then I tried to imagine what the Angel’s message might mean to her, both on a spiritual and practical level. I hope I’ve captured both the young woman of the time period and some glimpse of the new Eve that God chose to be the mother of his Son.
Q: What did you most enjoy about collaborating with others for Walk in Her Sandals and Gaze Upon Jesus?
A: I was amazed at how all of us writers—with only a few conference calls—so fully complemented each other’s ideas. The way this book came together can only be attributed to the work of the Holy Spirit. And, of course, it was an honor to work with talented and holy women like Kelly Wahlquist, Sarah Christmeyer and Teresa Tomeo—women who have been my heroes for years!
Q: How did you discover your love of this specific type of writing?
A: When I began to write, I tried a few different genres and just wasn’t inspired. Then one Sunday I heard the Gospel reading of the woman at the well and I started wondering about her. Before I got home from Mass, I had a story in my head that turned out to be my first novel, The Well, and the beginning of the Living Water Series. Since then, I’ve discovered that I love imaging the ‘rest of the story’ about real people who are mentioned in the Gospel accounts, especially women who encounter Jesus and are transformed by that encounter.
Q: How do you nurture yourself as a writer over time?
A: I find that in order to stay motivated I have to nurture myself both spiritually and physically. I have a real love for the beautiful Adoration chapel at my parish. I find myself there when I’m stuck on a scene or mentally drained and I always leave refreshed. I’ve also taken up biking and find that a good ride clears the cobwebs and I often get a great idea while I’m cruising along the road or zipping along a trail.
Q: How has being a writer in this specific genre impacted you as a mom?
A: I often wonder what my kids would say to that question! This path—my novels as well as the short stories and being involved in WINE—has been a period of immense spiritual growth for me. Instead of what you would think—that writing would take away from my role as a wife and mother—it has actually increased my commitment to my vocation and, I hope, made me a better mom. I prioritize better than before. I’ve found that everything works better when I prioritize prayer and the sacraments, then my responsibilities as a wife and mother. The writing comes more easily and naturally after that.
Thank you, Amanda for having me on your blog! I hope you and your readers enjoy the stories in Gaze Upon Jesus as much as I loved writing them.
Thank you, Stephanie for sharing these glimpses into your life!
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